Chapter 1 is in the can!

Writer’s block was conquered and a decent draft of chapter 1 is complete. Summer is off to a good start.

This photograph Marlene Dietrich wearing her tuxedo from Morocco (1930) and this sketch by the Hollywood costume designer Travis Banton didn’t make it into the chapter so I thought I would share them here.

Viva deco dandies in tuxes!

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How to Whitewash A Dandy: A Colorless Account of Queer Fashion History

By Tiffany Mott-Smith

http://taggmagazine.com/a-colorless-account-of-queer-fashion-history/

Queer Fashion History Exhibit: The Museum at FIT, 2013

Queer Fashion History Exhibit: The Museum at FIT, 2013

Last weekend, I had the opportunity to attend the Queer Fashion History Symposium. I spent six and half hours preparing for this event. Three minutes checking in with my editor for the event, 55 minutes looking for my press badge, two minutes watching my boifriend find my press badge hanging from my doorknob, 30 minutes dropping off my favorite pair of boots at Phillips Shoe Repair, 30 minutes spilling the tea with my favorite shoe repairman’s wife, 30 minutes re-adhering crystals to my favorite pair of boots, four hours deciding on approximately three outfits to match my favorite pair of boots. In case you are wondering, yes dear, these boots are everything!

Arriving at the symposium with my boots and badge in tow, I scanned the room with an immediate furrowed brow. I had imagined wild hair under elaborate chapeaus, statement necklaces and new romantic inspired street fashion. Instead I saw almost exclusively plain shoes, muted colors and dulled accessories- perhaps foreshadowing the day to come.

Continue reading “How to Whitewash A Dandy: A Colorless Account of Queer Fashion History”

“Show me a dandy and I’ll show you a hero.”

Some images, websites, and thoughts I came across while I was contemplating dandyism this weekend:

Les Manteaux, published in Gazette du Bon Ton (vol. 12), 1913. Bernard Boutet de Monvel, illustrator.

“It is a kind of cult of the ego which can still survive the pursuit of that form of happiness to be found in others, in woman for example; which can even survive what are called illusions. It is the pleasure of causing surprise in others, and the proud satisfaction of never showing any oneself. A dandy may be blasé, he may even suffer pain, but in the latter case he will keep smiling, like the Spartan under the bite of the fox.”— Charles Baudelaire, From “The Painter of Modern Life,” 1863

London Dandy; The Squire of Alsatia; Cries of London, Johann Joachim Kändler, Meissen porcelain factory, 1754, The Victoria and Albert Museum, C.124-1940
The Fashionable Mirror addressed to the Man of Mode, Print by William Dent, 1786, British Museum, 1948,0214.573
American, Coat worn by Edward Carrington, ca. 1820, Wool broadcloth with silk velvet collar and gilt brass buttons, Rhode Island School of Design
American, Coat worn by Edward Carrington, ca. 1820, Wool broadcloth with silk velvet collar and gilt brass buttons, Rhode Island School of Design
The actor Sir Herbert Beebohm Tree (1853-1917) as the Count D’Orsay in The Last of the Dandies, c. 1890, © Hulton-Deutsch Collection/CORBIS
Robert de Montesquiou, portrait by Giovanni Boldini, 1897, Musée d’Orsay, Paris.
Rupert Lycett-Green in Neo-Edwardian dress, 1965
London, England (made) Wedding Suit, Mr Fish (maker and retailer),1967, Wool and synthetic fabrics, machine sewn and hand finished, T.30:1, 2-2010 “Charles Lucas wore this light grey cloth suit with a white satin cravat for his marriage to Antoinette von Westenholz on 9 November 1967.”—Victoria and Albert website
David Bowie's suit, 1972, David Burretti ©The David Bowie Archive
David Bowie’s suit, 1972, David Burretti ©The David Bowie Archive
Jean Paul Gaultier, Fall 2012, Couture

 

John Varvatos, Autumn/Winter 2013

“You can call this a “peacock complex”—I approve of that. Show me a dandy and I’ll show you a hero, as Baudelaire said…And in the nineteenth century it was more…They’re the aristocracy of elegance. It’s the leather, it’s the placement of the gold embroidery, the small casques with one egret feather; the tasseled boots, the sables…They have the real absurdity of style.”—Diana Vreeland, D.V. p. 181

Check out these exhibit sites and other dandytastic sites:

No People Like Show People: Vesta Tilley and the Tuxedo

Female dandyism – especially tuxedo drag – explored in the introduction of my book Afrochic.