Some images, websites, and thoughts I came across while I was contemplating dandyism this weekend:
Les Manteaux, published in Gazette du Bon Ton (vol. 12), 1913. Bernard Boutet de Monvel, illustrator.
“It is a kind of cult of the ego which can still survive the pursuit of that form of happiness to be found in others, in woman for example; which can even survive what are called illusions. It is the pleasure of causing surprise in others, and the proud satisfaction of never showing any oneself. A dandy may be blasé, he may even suffer pain, but in the latter case he will keep smiling, like the Spartan under the bite of the fox.”— Charles Baudelaire, From “The Painter of Modern Life,” 1863
“You can call this a “peacock complex”—I approve of that. Show me a dandy and I’ll show you a hero, as Baudelaire said…And in the nineteenth century it was more…They’re the aristocracy of elegance. It’s the leather, it’s the placement of the gold embroidery, the small casques with one egret feather; the tasseled boots, the sables…They have the real absurdity of style.”—Diana Vreeland, D.V. p. 181
Check out these exhibit sites and other dandytastic sites:
I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department.
Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.
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