“Harlem: Found Ways” is a new exhibition opening today at The Cooper Gallery at Harvard University that “presents artistic visions and engagements specific to Harlem, New York City, in the last decades.” Check it out if you are in Cambridge this summer!
And, look for an essay by yours truly in the exhibition catalogue reflecting on Dawoud Bey’s two important photographic series Harlem, U.S.A. and Harlem Redux, selections of which are featured in the show. These preview photos are courtesy of Dawoud.
Eighty years ago this month, an anthropologist named Katherine Dunham made her New York City dance debut at the 92nd Street Y. The 28 year old Chicago native choreographed and performed with her own company of dancers as part of “A Negro Dance Evening” organized by fellow dancers Edna Guy and Allison Burroughs. Born in […]
via Katherine Dunham in New York City — MCNY Blog: New York Stories
Check out this exhibition Let Us March On: Lee Friedlander and the Prayer Pilgrimage for Freedom at the Yale University Art Gallery curated by my former student, La Tanya Autry.
The Prayer Pilgrimage for Freedom, a virtually forgotten civil rights gathering at the Lincoln Memorial in Washington, DC on May 17, 1957, was photographed by Lee Friendlander.
This look back can hopefully provide inspiration for our trying times…
Having spent several summers in Accra, I was delighted to learn about the incredible photographer, James Barnor, who operated the Ever Young studio in Jamestown. Autograph mounted an exhibition of his work: http://autograph-abp.co.uk/exhibitions/james-barnor-ever-young and an accompanying monograph has been published of his work. He has visited the US for the first time and spoke at the Schomburg Center for Research in Black Culture.
While I am not opposed to the idea of re-incarnating Wilde from a African American perspective, I do find this poster questionable. This imagery is very reminiscent of the caricatured theatrical and entertainment venue ephemera of the interwar period when Harlem was in vogue, but racism and racialism very much alive. I know I suffer from racial paranoia when it comes to visual culture but all too often imagery that is meant to valorize African Americans is too reminiscent of pejorative imagery.
I recently gave a talk at the Pennsylvania Academy of the Fine Arts about the film Daughters of the Dust by Julie Dash. It is an amazing film – it is definitely in my Top 10 list of all time favorites. So I thought I would share this recent video about the Gullah who are the formerly enslaved Africans featured in the film.
Slave Descendants Uphold African Roots
To follow my earlier post, a performance by the master: