New essay published on Afrochic

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My piece, “The African Roots of Modern Fashion,” is a part of the lastest Brooklyn Rail Critics Page on art and fashion edited by Alexandra Schwartz. It provides some insight into my current research. Pleased to be in the company of Valerie Steele, Juliet Bellow, Rhonda Garelick, and Saya Woolfalk!

I offer up another Afrochic tidbit in celebration: Carl Van Vechten’s 1934 portrait of socialite Emilie Grigsby. The leopard couture gown she is wearing is now in the collection of the Victoria & Albert Museum:

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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