Avant Tut interest in all things Egyptian Redux

Egyptomania is part of a broader afromania within my cultural imagination, but I will be focusing more on “black Africa” for the book. Nevertheless my recent perusing has revealed a much deeper and richer vein of unexposed and unstudied material that warrants further research and reflection. Unfortunately, there is so much that will be left on the cutting room floor when Afrochic is published. Here, therefore, is another tidbit that I wanted to shine a little light on – one day I may get to explore fin-de-siècle Egyptomania more thoroughly:

While touching upon dress I only mention that we have a little Egyptian figure whose dress is “accordion pleated” from throat to feet; it also wears a little “accordion-pleated ” cape. So the fashions and arts of dress come round.

“Art.” by Mrs. Emily Crawford.
Publication: Eagle, Mary Kavanaugh Oldham, ed. The Congress of Women: Held in the Woman’s Building, World’s Columbian Exposition, Chicago, U. S. A., 1893.. Chicago, ILL: Monarch Book Company, 1894. pp. 87-89.

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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