Avant Tut interest in all things Egyptian

As we read about haute couture, and I reveled in the gloriousness of this practice of hand fabricated garments, I recalled one of my favorite opulent gowns from the Metropolitan Museum of Art’s collection: this Egyptian Revival 1912 gown by a New York dressmaker that went by the moniker Simcox. I discussed in this garment in my presentation on Egyptomania and fashion for the Common Threads symposium last spring. This piece predates the discovery and opening of King Tut’s tomb in 1922, but it was from the year that the famous bust of Nefertitti was unearthed. The beaded embroidery embellishing the gown contains several Egyptian motifs, especially on the front bodice.

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Author: Camara Dia Holloway

I am an art historian specializing in early twentieth century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks. I earned my PhD at Yale University in the History of Art Department. Besides my leadership role as the Founding Co-Director of the Association for Critical Race Art History (ACRAH), I am recognized for my expertise on African American Art, particularly African American Photography, and as a seasoned consultant for exhibitions, museum collections, and symposia/lectures planning.

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