An exhibition that I wish I could see:
Bel Geddes designs were very influential on the style of Jazz Age. A little known aspect of his career: the 1922 design of the interior of Palais Royal Cabaret where Paul Whiteman and his Orchestra performed.
George S. Kaufman dubbed the Cabaret “the Geddes triumph,” asserting that it “proved. . . that art and the night places can go hand in hand.”
The venue later became The Cotton Club when it moved downtown.
[Shout out to my colleague Sandy Isenstadt who contributed to the catalogue!]