The Congo (1914)

Quintessential example of white modernists’ appropriation of blackness: The Congo by Vachel Lindsay, a poem from 1914

A perfect vision of Carlo

It was great to finally see this in person. Hide/Seek was a terrific show.

A White Girl Blogs About “Big, Black Thugs” Living In Harlem

The influx of white folks to the new Harlem has led to many a grande folie! Shades of Godmother.

Mon cher Carlo

A portrait of Carl Van Vechten by E. O. Hoppe.

Carlo is a key player in Afrochic. He is a constant challenge and conundrum. Still trying to figure him out…

deep thoughts

LoBagola, a trickster from B’mo, who pulled the wool over the eyes over the Negrotarians:

From Wikipedia:

Bata Kindai Amgoza ibn LoBagola (1877 – 1947) was an early 20th century American impostor and entertainer who presented an exoticized identity as a native of Africa, when in reality he was born Joseph Howard Lee in Baltimore, Maryland. Despite an impoverished start in life and a lack of education, and a series of scandalous arrests related to homosexual activities, mainly involving underage individuals,[1] LoBagola maintained a long and colorful career posing as an African “savage”, during which he delivered lectures to many institutions and conducted public debates.

LoBagola was able to secure a book contract with Knopf to publish his “life story.” He was photographed by Doris Ulmann, one of the photographers I discuss in Afrochic.